One might think, given Trump’s propensity to plaster his
name on everything, that he’s obsessed with legacy. He is, insofar as it’s the
way to advance the game of writing one’s name upon the world (in, as always,
the most stupidly literal way possible). But his long-term plan is closer to
the opposite of planning for posterity. He cannot creatively envision a future
in which he is no longer the main character, except to hate and fear it. He is
going un-gently into that good night — and once he’s gone, as far as he’s
concerned, everybody’s party might as well be over.
Our president is trying to take America down with him.
There’s been a few years’ worth of chatter around the
phenomenon of MAGA’s “death drive,” or “suicide rightism.” What’s with the alt-right love for
seppuku-committing ultranationalist author Yukio Mishima? Why did DHS post a video of the penguin who walks off to its seeming doom
in Werner Herzog’s Arctic documentary with the caption “Americans have always
known why”? Why does Pete Hegseth say “lethality” like it’s not the means but the end? I dismissed
some of this (minus Hegseth) as would-be edgy manifestations of masculinity in
crisis…until realizing that the commander-in-chief is on the same page, which
explains a lot.
What does a death-driven administration look like,
aesthetically? It looks like blood sport on the White House lawn. It looks like one
failed attempt after another to wrest control of nature, from a paved-over rose
garden, to a scum-choked reflecting pool, to a coterie of human bodies
shellacked to parodic levels of denial of decay. It looks like the inability to attract crowds for, much less
successfully host, anything resembling a celebration of life. The president’s
charisma may play on the airing of grievances–to–riot incitement bandwidth, but
collective joy is beyond him.
What do such an administration’s policies look like?
They look like turning off the lights of knowledge and memory one by one, much like an unspecified 79-year-old sliding into senescence. They look like
the antithesis of life: brutality in the streets, inhumane detention conditions, murder. They look like climate change denial and the
rapacious stripping of environmental regulations. They look like
antagonizing the UN and eliminating USAID, starting tariff wars with allies,
and a literal war in the Middle East that scuttles a nuclear détente.
Many watchers have been baffled by Trump’s diplomacy because it is so
flagrantly shortsighted; the Occam’s razor explanation is that he does not care
about the long term. As though riding one of his once-buddy Musk’s privatized
rockets, Trump is getting as far into the stratosphere of kleptocratic wealth
as he can by burning through every bit of goodwill/democratic norm/actual
hydrocarbon that it took 250 years to produce (or, in hydrocarbon’s case, far
longer). Which is fine if you simply do not care about the place or the people
you’re leaving behind.
I’m sorry to mark our 250th anniversary
by recapping the horrible present. But it’s necessary to put into context just
how much this administration has no business celebrating a milestone of
national life and evolution, a date that should serve as the springboard for
hard-fought, generative discussions about where we’ve been and where we’re
going. That’s what anniversaries are for, if used well.
They’re just another date, but in bearing the shape of a
pivotal moment, they invite us to remember that we can choose any moment, this
one included, to turn in the direction of progress.
The administration has never wanted to look candidly back, and it is becoming increasingly clear that they have no interest in or capacity for looking ahead. The far right is adrift in a curdling fantasy of an America with a past that never existed and a future that even they, it seems, don’t care to stick around for. Luckily, they do not represent the America that has survived this long.
Here’s what life looks like. It looks like Kansans welcoming Algerians and Minnesotans standing up to
ICE. It looks like a Knicks-inspired ode to pluralism and 8 million people marching against kings. It looks like
the Seneca Falls Convention, the Emancipation Proclamation, and the March on
Washington. It looks like Good Trouble and Stonewall and rock n’ roll. E.B.
White defined democracy as, among other things, “the hole in
the stuffed shirt through which the sawdust slowly trickles” and “the feeling
of vitality everywhere.” That defiant pulse is with us still.
I’ve found myself thinking lately of a poem by Lucille Clifton, “won’t you celebrate with
me.” After limning what it is to be a Black woman in this country, the speaker
ends with a fierce invocation to celebrate the fact that, every day of her life: “something
has tried to kill me / and has failed.”
That’s enough to celebrate this July Fourth. And we have
much more. The forces of dull, narrow imagination and greed have failed to take
this opportunity for joy and reflection from us (however much they muddle the
Reflecting Pool), just as they have failed to take our future. They are the
ones passing through and away.
-The Contrarian

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