On Tuesday, Dolly Parton’s family announced the death of
the beloved country music icon, a woman whose career spanned so many decades
and so many disciplines, who wrote so many unforgettable songs and inspired so
many people through her joy, kindness, and empathy, that attempting to
summarize her legacy feels as futile as bottling up the Pacific Ocean with a
teaspoon.
Parton grew up in poverty but rose to become one of the
most successful, instantly recognizable musicians of the 20th century —
embodying the American dream in a way that few ever have. She was a savvy
entrepreneur, and an actor with a knack for delivering plucky dialogue in
classic movies like Steel Magnolias and 9 to 5 (“I’m
gonna change you from a rooster to a hen with one shot!”) She was an
astonishingly prolific songwriter, and one of the best to ever do it, penning
“Jolene” and “I Will Always Love You” within
a matter of days.
Parton’s creative gifts were legion. Yet she was, if
anything, just as well-known for her outrageous personal style: the voluminous
blond wigs, the rhinestone-bedazzled outfits, the bold acrylic nails that
helped inspire the opening riff of “9 to 5.” “It costs a lot of money to look
this cheap,” she famously said. With a gift for folksy zingers, Parton was
effortlessly funny — certainly more amusing than the uninspired comedians who
made countless lame jokes about her bust — and she typically made fun of herself
rather than others.
There are few Americans alive today who aren’t familiar
with some aspect of Parton’s life — whether her music, her screen performances,
or even just her ubiquitous image, emblazoned on T-shirts, prayer
candles, and countless tchotchkes across the land. Parton was a secular
saint, admired by people across the political and cultural spectrum who shared
little else in common, so untouchable that not even Donald Trump had a bad word
to say about her.
Which is all to reiterate that quantifying Parton’s
contributions to the world is exceedingly difficult. But here is one number
that can at least begin to put her extraordinary contributions into context:
332,411,218. That’s the number of books that her
charity, the Imagination Library, has given to children around the world over
the last 31 years. In addition to being a brilliant entertainer and an
exceptional entrepreneur, Parton was also one of the country’s most generous
philanthropists. The organization, which provides free, age-appropriate books
to preschool children, was founded to
honor her father, Lee, who was illiterate.
“He was the smartest man I have ever known, but I know in
my heart his inability to read probably kept him from fulfilling all of his
dreams,” Parton has said.
Originally intended to benefit the children of Sevier
County, Tennessee, the program has since expanded across the United States and
to Canada, Australia, Ireland, and the U.K., instilling a love of reading in
millions of young people who eagerly anticipated the arrival of their monthly
gift from “Aunt Dolly.” Because Parton knew the stigma that came with getting
“handouts,” she ensured that any child could receive books through the
Imagination Library, regardless of their family’s income or economic status.
The Imagination Library is now the flagship program of
the Dollywood Foundation, which Parton formed in 1988 — not long
after the opening of the Dollywood theme park in Pigeon Forge,
Tennessee — with the modest goal of improving educational outcomes
for students in her home county. Through an initiative in the early ‘90s called
the Buddy Program, she vowed to give every 8th grader who graduated from high
school $500. The dropout rate subsequently decreased from 35% to 6%.
The Dollywood Foundation has continued to be a vital
source of aid for the people of East Tennessee during times of crisis. In
2016, the organization launched the My People Fund to assist families who
lost their homes to wildfires in the Great Smoky Mountains. In less than a
year, it had distributed
$12 million to those affected.
Parton was also a benefactor for life-saving medical
research. She donated $1 million to fund Moderna’s COVID vaccine and got the
shot — which she called “a
dose of her own medicine” — as soon as she was eligible to reassure anyone
who might be hesitant. “I just want to say to all of you cowards out there:
Don’t be such a chicken squat,” she teased in her inimitable
way. In 2022, she gave another $1 million to Vanderbilt University
Medical Centre for research into
infectious pediatric disease because, she said at the time, “No child
should ever have to suffer.”
Even Parton’s business endeavors have benefitted her
community in tangible ways. Dollywood is Sevier County’s largest employer, with
more than 4,000 people working at the park itself during high season. According
to one
case study, the 160-acre park — which includes a bald
eagle sanctuary — makes a direct annual impact of $1.8 billion a year
in Tennessee.
Parton, a leading gay icon, repeatedly expressed
her support for the LGBTQ+ community, before such opinions were widely held
in either country music or the country at large. Her company, Sandollar
Productions, co-produced the Oscar-winning 1989 documentary Common
Threads: Stories From the Quilt, which tells the story of the AIDS memorial
quilt and chronicles the lives of five people in its panels. She also
contributed to the compilation album Red, Hot + Country, which
raised money for AIDS charities, and participated in a public awareness
campaign.
Parton’s generosity was not only financial, it also
extended to her humane, compassionate songwriting, which she consistently used
to tell stories about the downtrodden and marginalized. Though she
became fabulously wealthy, Parton never lost her working-class solidarity. And
though she avoided wading into partisan politics, she made her views clear in
song.
Accepting the Carnegie
Medal of Philanthropy in 2022, Parton, the first female entertainer to
receive the honor, spoke about what motivated her charitable endeavors. “I
cannot be a hypocrite and just say I’m going to donate this money for a tax
write-off. I’d really like for it to mean something to me — something I can
take pride in,” she said.
Parton’s philanthropy has inspired similar largesse in
other celebrities. Ahead of their wedding in July, Travis Kelce and Taylor
Swift donated $26 million to various charities — including $2 million to
the Imagination Library.
But with the possible exception of Swift, the world
doesn’t produce celebrities as enormous as Parton anymore. The few people who
rival her fame today are not once-in-a-generation artists, but tech oligarchs
who hoard their wealth to buy
elections and castles
in Ireland, not books for preschoolers.
In a vintage TV clip that’s now circulating on social media, Parton was asked about her ultimate goal in life. “Just to be happy, to be as productive as I can be, make as many people happy as I can, make as much money as I can, so I can do for more people,” she said. “And I just want the freedom to work, and everybody else can have the money.”
If only more people lived by her example.
-The Contrarian




