A writer must “know and have an ever-present consciousness that this world is a world of fools and rogues… tormented with envy, consumed with vanity; selfish, false, cruel, cursed with illusions… He should free himself of all doctrines, theories, etiquettes, politics…” —Ambrose Bierce (1842-1914?). “The nobility of the writer's occupation lies in resisting oppression, thus in accepting isolation” —Albert Camus (1913-1960). “What are you gonna do” —Bertha Brown (1895-1987).
Richard Dawkins on the Luckiness of Death by Maria Popova
We are born into the
certitude of our eventual death. Every once in a while, something — perhaps an encounter with a robin’s egg,
perhaps a poem —
staggers us with the awful, awe-filled wonder of aliveness, the sheer luck of
it against the overwhelming cosmic odds of nonexistence. But alloyed with the
awe is always the half-conscious grief that one day the light of consciousness
will be extinguished.
It is a heavy gift
to hold, this doomed delirium of aliveness. It is also a buoyant gladness, if
we are limber enough to stretch into the cosmic perspective that does not come
naturally to us small, Earth-bound bipeds cotticed with tender self-importance.
Consider this.
For each of us, one thing is true: Had any one variable been
ever so subtly different — had your parents mated on a different day or at a
different altitude, had the early universe cooled a fraction of a second faster
after the Big Bang, you would not exist as the particular constellation of
atoms configuring the particular consciousness that makes you, you.
Because chance plays such dice with the universe,
and because the die dictates that the vast majority of energy and matter never
had the luck of cohering into this doomed delirium of aliveness, it is, in some
profound and practical sense, a staggering privilege to die — one that betokens
the privilege of having lived.
To lament death, then, is to lament our luck, for
any negation of the possibility of death is a negation of the improbable
miracle of life, a wish for there to be nothing to do the dying — nothing to
have partaken of the beautiful, bittersweet temporality of aliveness.
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