When Caitlin McNamara launched a literary festival in Abu Dhabi, she found herself plunged into a busy, exciting world. Then, she alleges, she was raped by an Emirati royal
This
time last year, the world watched as Harvey Weinstein was led out of a New York
courtroom, having finally been convicted of sexual
assault. For many of us, it signified a hopeful shift in the law’s blemished
record of allowing rich men to get away with treating women’s bodies as a perk
of power.
I
watched this historic ruling on TV alone, at a beach resort in Oman. The sun
had set over the Indian Ocean and I could hear honeymooning couples clinking
glasses at the poolside bar below. As the coverage rolled, I scrolled through
Instagram watching the man who had sexually assaulted me the week before,
Sheikh Nahyan bin Mubarak Al Nahyan, be applauded on to a platform I had worked
hard to build.
I
texted my boss: “I know you have an insane amount on today, but watching the
Weinstein verdict on the news and with Nahyan playing the good guy at the
launch, I can’t hack staying quiet about what he did, but I also don’t want to
mess up anything for you and the team.”
“I don’t want to mess up anything for you and the team” had been my default in life, until now. That moment marked the start of a year-long journey to hold my attacker to account, and to do it loudly and clearly because others cannot. In the process, I would come up against varying attempts to silence me, sometimes by those who knew and loved me best. I would also find new allies, experience a media storm and gain a visceral, first-hand understanding of why rape convictions in England and Wales are at an all-time low, of less than 3%.
We hear a lot about these failures – the abandoned prosecutions, the cases the Crown Prosecution Service (CPS) deems unwinnable – but less about what happens next: the shame-heavy aftermath of rape and the limits of justice, especially when it comes to the rich and the powerful. I was about to find out.
Six months earlier, I had been approached by the founder of Hay festival, Peter Florence, to relocate from London to Abu Dhabi, to start an Arabic edition of the Welsh book event. I was hesitant. I had only recently returned to London after almost a decade abroad and life was good: I loved my cycle commute to work at the BBC, weekends out with my friends, being able to easily jump on a train back to Wales to see my gran. The hypocrisy of collaborating with a repressive regime on a platform of free expression wasn’t lost on me, either.
But I had been involved in the festival since I was a teenager, having grown up in the town where it is based. I had also specialised in cultural diplomacy since studying politics at university, and collaborated with arts and media organisations across the Arab world. I had no desire to be a pawn in an Emirati PR stunt, but agreed a British cultural organisation crying boycott over engaging with a country that actually invests in its arts sector would be a wasted opportunity. I took the job.
On
arrival in Abu Dhabi in September 2019, I was told my Hay contract was invalid;
instead I would be working for the festival’s Emirati partner, the ministry of
tolerance. The English translation makes this sound more Orwellian than its
Arabic original; even so, working for the UAE government was not what I had
signed up for. But I had already left my job in London and rented out my flat.
I told myself it was just six months and decided to make the best of it.
Put
up in a Moroccan-style five-star palatial hotel overlooking the Arabian Sea,
with an office inside the ministry, I worked long and lonely days walking a
diplomatic tightrope: trying to build enough of a glittering showcase to keep
the ministry happy, while also preserving Hay festival’s integrity. Yet with
these challenges came unparalleled perks. I had the creative freedom and budget
to turn ideas into reality. I travelled the UAE to find new writers and
publishers; persuaded artists such as Bernardine Evaristo and Nobel laureate
Wole Soyinka to host free workshops for migrant workers and local students;
collaborated with BBC Arabic to screen films by female directors; and fought
for Mashrou’ Leila, a Lebanese band that champions Arab gay rights, to perform
in a country where same-sex relationships are still illegal.
Working
inside the ministry also embedded me in a warm and wickedly funny Emirati
community, alongside a Hay festival team,
working remotely in Wales, who felt like family. There was the kind of winter
heat that steamed up my sunglasses when I stepped out of my chauffeured car. It
was a million miles from my life in London, and I couldn’t put my finger on
whether I loved or hated it. By the skin of our teeth, we built an event to be
proud of: 80 internationally acclaimed writers, thinkers and artists over four
days, who would reach 3,900 pupils from 81 UAE schools.
Like
many other arts institutions, Hay festival had attracted criticism over its
decision to launch in a country that regularly locks up prisoners of
conscience. The Emirati engineer and poet Ahmed Mansoor was (and remains) in solitary
confinement several miles from the festival site, for his peaceful activism
around free speech. Peter and I had been quietly working with international
human rights groups to find out how we could help, and had approached our
partners at the ministry about exploring how they could leverage the festival’s
platform to practise the tolerance they preach.
The Emirati
elite are among the world’s 1%: educated at Ivy League and Russell Group
universities, they spend their summers in London, their winters in the Bahamas.
They also include some of the most pluralist and progressive people I have met,
people I felt confident politely asking direct questions. Ahmed’s family says he doesn’t have a mattress in his cell – is
this true? Can I take some books to him in prison? Are our writers safe to read
his poetry onstage in solidarity? But the following morning,
Peter was told we had gone too far, and I received a meeting request from the
minister of tolerance, Sheikh Nahyan bin Mubarak Al Nahyan.
I
had met Nayhan and other Emirati royals several times during my stay, always in
groups at official events. On the rare occasion that he came into his ministry,
I might be asked to join the line of staff he’d shake hands with as he swept by
with his entourage. Once, I was put on a bus of visiting Chinese academics and
taken to a palace where we were shown a prized falcon and fed camel biryani.
One day I stood in a room full of khanjars,
Arabian daggers, to ask for Nahyan’s assistance in getting a tricky visa for
Iranian Nobel peace prize laureate Shirin Ebadi.
In these instances, I would have exchanged a traditional Arabic greeting with
him, or thanked him for his patronage of the festival. I am no royalist but I
am a respectful guest.
As
anyone who spends a significant amount of time in the UAE will know, impromptu
meeting requests and getting into official cars with no idea where you’re
heading is par for the course. I had every reason to believe the meeting was
about Mansoor, and expected an attempt to get the festival to drop the
conversation. I moaned to my parents in Wales about having to work late, and
texted Peter, joking, “I feel like I’m being called into the headteacher’s
office for disrupting class. If not back in 24 hours, send help.”
The
facts of what happened next have been extensively reported.
I said no, many ways, many times. It began with an offer of a (prohibited)
glass of wine and a tour of his villa as I desperately tried to keep the
conversation professional, after which I was repeatedly and increasingly
violently assaulted. The violence wasn’t just physical. I was trapped, reliant
on his driver to get me through the checkpoints that led back to safety, never
knowing what the next minute would hold or how it would end. Unspoken between
us was the power Nahyan had to make or break the festival, as well as over my
job, my accommodation, my exit visa.
Four hours later, I was deposited into the back of a car. I had managed to text Peter, saying I needed to get out, and my phone showed missed calls and worried messages from him. “I’m OK, managed to leave his house … of course he didn’t want to talk to me about human rights, so stupid of me,” I quickly typed, holding back tears to stay alert to where the driver was taking me.
Today, after
recounting the details endlessly – to diplomats and doctors, police and lawyers
– I feel little raw emotion saying out loud what happened. But immediately
after the assault, as those I turned to danced awkwardly around the critical
questions, I couldn’t yet call what had happened to me what it was: “rape”,
under the UK Sexual Offences Act 2003, later argued by my lawyers as “torture”
under the Criminal Justice Act 1988 and United Nations convention against
torture and other cruel, inhumane, degrading treatment or punishment.
Instead,
I desperately tried to think of ways to reframe it. A version that would be
just another funny story from my surreal trip; that would make me feel less of
a victim; that wouldn’t disrupt the festival and would get me out of an
uncomfortable conversation with my boss. Over the phone that night, Peter asked
me whether what had happened was Weinstein-esque.
Yes, I replied. He gave me his credit card details and told me to book a flight
home immediately.
But
I couldn’t: I was the main point of contact for a festival due to start in a
week; I had colleagues, employees and artists relying on me; I would also face
legal and financial consequences as a result of breaking UAE labour laws. So I
left Abu Dhabi and hid out in a Dubai hotel under a fake name, while reporting
what had happened to the British consulate. Peter flew out to join me and the
advice from everyone was to leave the country. I felt deep anger – that I had
been hurt; that I was being asked to leave, because of the whims of a powerful
man. I crossed the border into Oman, and from there flew back to the UK. The
festival went ahead without me.
I never
wanted to have to tell this story. I am a deeply private person. I grew up as
one of five sisters in a village on the Welsh borders and, as anyone with a big
family in a small place knows, you learn to cherish any privacy you can get. As
kids, we carved individual tents from our corners of the shared duvet to read
in seclusion, our legs reassuringly entwined in the middle of the bed.
As
a teenager, I kidded myself that hitchhiking to pubs along country roads with
friends was the height of grownup anonymity, not realising that everyone who
gave us a lift knew I was one of the McNamara girls: they knew my parents, they
knew our dog’s name. This desire for anonymity bled into my adult life, holding
adventures, love, work and friends close to my heart and far from the internet.
In seeking justice, I have allowed my face and intimate details of my body to
become public property online.
Arriving
home, as the UK shuttered into its first lockdown, I scrambled to share what
had happened. Some ignored me. Some downplayed it. Many were sympathetic, but
soon moved the conversation on. It was the fear and quiet concern of those who
love me that revealed just how pervasive is society’s conditioning around
keeping sexual violence silenced. He’s
too powerful to be held accountable, love; we’re scared he’ll come after you;
the lawyers will rinse you; you’ll be dragged through the mud and no one
will employ you again; we’ll help you put it behind you and just move on.
Challenging people you trust is more heartbreaking than pushing back against
your adversaries, so I turned my cross-examination inwards: was I not speaking
loudly enough? Was the assault really that bad?
I
found myself waking alone in my flat as the world plunged deeper into the
pandemic: unemployed and increasingly unwell. Forever an early riser, I started
struggling to get out of bed. I stopped eating and started picking at my skin.
A now familiar nightmare of Nahyan woke me panicked in the night. This feels
excruciating to write, and I am not doing it for sympathy or attention, but
because I am desperate to make you understand how incredibly scary it feels to
be met by silence after getting hurt. I knew I was unwell (I was later
diagnosed with post-traumatic stress disorder); but, isolated by Covid, I
unraveled.
I
was eventually able to access the help I needed. Peter introduced me to Helena Kennedy QC and, as lockdown lifted, I
cycled across London to meet her. While her grandchildren ran around the
garden, she stopped her world to listen. Soon I had one of the UK’s best law
firms to represent me pro bono in a criminal action. Last summer Kennedy
accompanied me to Scotland Yard; after I gave my statement, the police
installed panic alarms in my flat. I upped my runs; started playing the piano
again; began meditation and medication. This, plus NHS care and support from
Hay festival and my family, meant I was able to shake off the fear and shame,
and slowly crawl out of the chasm.
I still pinch myself at how lucky I was to receive help, but it feels wrong that this was thanks to my privilege and private connections, rather than a basic right. Immediately after the assault, when I was attempting to fight this alone, the furthest I had got was a closed waiting list for an underfunded rape crisis centre and a lawyer who asked for more money than I earn in a year.
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