Scars
When I was young, I longed for scars
like my father’s.
They were the best
scars on the block, startling, varied,
pink as a tongue against his whiskey skin.
The longest bolted from his elbow,
finger-thick where the barbed wire plunged in,
a satin rip thinning toward the wrist.
I read the riddle of my father’s body
like a legend punctuated by pale hyphens,
neat commas, surgical asterisks, and exclamation
points from scalp to ankle. His tragic knuckles
spoke wordless violence in demotic Greek.
My silent father said little—too little, it seems—
but after the divorce he told me, tracing
the curved path on his skull where hair never grew,
“It’s the ones you can’t see that kill you,”
and it’s true our doctor said his liver,
which did him in, was scarred like an old war horse.
Still, the wound I knew best I gave him myself, hitting
a pop fly straight up and swinging the child’s bat again
with all my might as the ball descended
over the plate. He
had run in to catch it
and the bat cracked him under his chin, dropping
my father like a murdered king, peeling a wound
no butterfly bandage could cover. I was too stunned
to move, but the look my mother gave me proved,
no matter what happened later, this man bleeding
like Laius on the ground was the one she loved.
Everything We Do
Everything we do is for our first loves
whom we have lost irrevocably
who have married insurance salesmen
and moved to Topeka
and never think of us at all.
We fly planes & design buildings
and write poems
that all say Sally I love you
I'll never love anyone else
Why didn't you know I was going to be a poet?
The walks to school, the kisses in the snow
gather as we dream backwards, sweetness with age:
our legs are young again, our voices
strong and happy, we're not afraid.
We don't know enough to be afraid.
And now
we hold (hidden, hopeless) the hope
that some day
she may fly in our plane
enter our building read our poem
And that night, deep in her dream,
Sally, far in darkness, in Topeka,
with the salesman lying beside her,
will cry out
our unfamiliar name.
whom we have lost irrevocably
who have married insurance salesmen
and moved to Topeka
and never think of us at all.
We fly planes & design buildings
and write poems
that all say Sally I love you
I'll never love anyone else
Why didn't you know I was going to be a poet?
The walks to school, the kisses in the snow
gather as we dream backwards, sweetness with age:
our legs are young again, our voices
strong and happy, we're not afraid.
We don't know enough to be afraid.
And now
we hold (hidden, hopeless) the hope
that some day
she may fly in our plane
enter our building read our poem
And that night, deep in her dream,
Sally, far in darkness, in Topeka,
with the salesman lying beside her,
will cry out
our unfamiliar name.
Peter Meinke has published several books of poetry, including: The Night Train and the Golden Bird, University of
Pittsburgh Press, 1977; Trying to
Surprise God, University of Pittsburgh Press, 1981; Night Watch on the Chesapeake, University of Pittsburgh Press,
1987; Liquid Paper: New & Selected
Poems, University of Pittsburgh Press, 1991; Scars, University of Pittsburgh Press, 1996; Zinc Fingers, University of Pittsburgh Press, 2000; Maples and Orange Trees, Znak Press,
2005; The Contracted World: New and More
Selected Poems, University of Pittsburgh Press, 2006; Lines from Neuchatel, University of Tampa Press, 2009; Lucky Bones, University of Pittsburgh
Press, 2014; The Expert Witness: New and Selected Poems, University of Tampa Press, 2016.
He is also the author of fiction, non-fiction and children’s books. In 2009, Meinke was appointed the
inaugural poet laureate of St. Petersburg, Florida. His additional honors
include two fellowships from the National Endowment for the Arts as well as an
O. Henry Award and several prizes from the Poetry Society of America.
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