A Small Plot in the Short Story of Our Lives
We went to her home to celebrate
her
sixty-fourth.
My father made
dinner,
and when my
sister arrived
we sang Happy
Birthday.
We looked for
signs,
without knowing
what to look for.
We ate her
favorite cake, pineapple cheese,
disguised with
whipped cream.
She opened
gifts,
and my sister’s
youngest son
brought a
bright burst
of
red-and-white carnations
in a small blue
vase,
delicate as our
hope.
I read a few poems
about Elizabeth
and Race Street,
a small plot in
the short story of our lives,
and we believed
that we once lived recklessly
but in a more
sensible time,
that sorrow
will belong to all of us
at the end of
our lives.
She was wearing her new wig,
and I thought about
her
lying on the
gurney, the long tube in her nose
that filled her
lungs with water,
and how they
rinsed her kidneys for four hours
before they
dripped Cisplatin and Vinblastine
through a
needle in her vein,
slowly as an
hourglass.
She did not want to tell us
about her
headaches and nausea,
about her arms that bruised easily as peaches,
and how her
fingertips tingled.
But we asked
her,
and we
trespassed on her life,
not knowing
that the denouement
lay just beyond
her next birthday.
Watching My Mother Die
Hope slammed its door
behind my
mother’s right ear
where tumors
grew like broadleaf weeds.
Her hands, even
more frail now,
trembled from a
fractured life.
These were hands that once pulled a die
from a child’s nose,
pushed slivers
out of his fingers
with straight
pins,
and soothed
fevers and bad dreams.
Betrayal turned her hands to a light-blue
thinness—
unable to do
the things required of the living.
Black branches spread across her lungs
and welded to
her cerebellum. Her faced
distended.
Her mouth
erupted with tiny sores.
Her eyes held
the tell-tale sign
while she lay silently staring
at the discord of medicine bottles,
impassive icons, and votive candles
on her bedroom dresser.
Hanging in the Balance
My mother,
her head
sinking into pillows,
cursed
squirrels—their high-wire acts,
these other
lives hanging in the balance,
crossing
telephone cable
high above her
bedroom window.
For days, they
made her flash accents of life.
“They keep me
awake all day long,
running on the
roof,” she’d say.
My father—
his old legs
wobbling on rungs,
the cage held
tightly in one hand,
the trip wire
set and smeared with peanut butter—
trapped
squirrels off the pitched roof.
“I caught
eleven and one robin,” he said.
“I brought them
to the cemetery and let them go.”
The robin remained,
its bold breast
blazing through the bony tree.
My father and I
listened for gray squirrels.
“They’ll never
come back,” I said.
And the
World Kept on Living
It was as easy as withholding food and water
from someone
whose world had turned
in to migraines
and morphine.
So why do I
have to know
if she floated above me like some
magical act
while the vinyl
bag zipped closed
over her swollen face,
and if death is
more than what it is?
Why do I have to know
whether her prayers helped,
and if her long
suffering
and Catholic indulgences
paid dividends
like mutual funds,
and whether
dreamless sleep
is just a short rehearsal
for the only
afterlife we will never know?
And why do I have to know
the endings to
unfinished stories,
and if all her
collections
were meaningful to her
at the end of her life
like the
passive, religious figurines
that had
nothing but cheap plaster for souls?
The day she died, billions of white crystals
buried her home
in a cold fusion of free-falling light,
and the world
kept on living.
Dorothy
Brown (December 19, 1925 - December 30, 1990)