“…Now
that we have a culture of higher education in which business studies dominate;
now that we face legislatures blind to the value of the liberal arts; now that
we behold in the toxic briskness of the four-hour news cycle a president and
party that share our disregard for expertise while making a travesty of our
aversion to power, the consequences of our disavowal of expertise are becoming
clear. The liquidation of literary authority partakes of a climate in which all
expertise has been liquidated. In such a climate, nothing stands against
demagoguery. What could?
“…The humanities were once upon a time a
laboratory for experiments in shared interpretation. They have become, like
politics — and, in fact, as politics — aggressively individualistic and
resolutely anti-historical.
“…For going on 50 years, professors in the
humanities have striven to play a political role in the American project.
Almost without exception, this has involved attacking the establishment. As
harmful as institutionalized power can be, as imperfect as even the most just
foundations inevitably appear, they are, as it turns out, all we’ve got. Never
has a citizen been so grateful for institutions — for functioning courts, for a
professionalized FBI, for a factually painstaking CBO or GAO — as since
November 2016.
“Even the most devoted relativist cannot
behold Fox News or Breitbart and not regard these media outlets as
propagandistic in the most flagrant sense. Eisenhower would have balked.
Promoting conspiracy theories, granting vile charisma a national platform,
amplifying peccadillos into crimes and reducing crimes to peccadillos, they
embody everything that literary studies was meant, once, to defend against —
not through talking politics, but by exercising modes of expression slow enough
to inoculate against such flimsy thinking. Yet the editorial logic of
right-wing media resembles closely the default position of many recent books
and dissertations in literary studies: The true story is always the
oppositional story, the cry from outside. The righteous are those who sift the
shadows of the monolith to undermine it in defense of some notion of freedom.
“In the second decade of the 21st century, the
longstanding professorial disinclination to distinguish better from worse does
not inspire confidence. The danger of being too exclusive, which the canon once
was, pales before the danger of refusing to judge. In 2011, Louis Menand
observed that "few people think that … in the matter of what kind of art
people enjoy or admire, the fate of the republic is somehow at stake." The
Apprentice signifies once and for all the hubris of such
blitheness.
“The only way to battle, with real hope of
meaningful reform, against populist nationalism is to affirm alternative forms
of commonality. Far and away the greatest challenge for scholars in the 21st
century will be figuring out how to do this work and also how to reclaim the
influence that they voluntarily, and with the best of intentions, ceded. That
influence will depend on expertise, and that expertise, for anybody in the
humanities, will derive from a profound and generous understanding of the past.
“Seventy years ago, the architects of a new
world order got much wrong, for which the last two generations have
relentlessly taken them to task. But they also tried to moor the American
future in the best of our national traditions. They preserved and expanded the welfare
state, scoured the 19th century for a democratic canon, balanced global power
to forestall another World War, advanced the ethical vocabulary in which the
movements for the wide expansion of civil rights unfolded, and sustained enough
of a civic consensus to shame a criminal president into resigning. These
accomplishments now appear distant dreams.
“For the republic to survive, higher education
must emphasize similarity as well as difference, continuity as well as rupture,
collective sustenance as well as individualistic emancipation, you as well as
me. It must do this without tipping into the old, real, omnipresent dangers of
prejudice and bigotry. Liberal academics used to aim to thread that needle.
They have long since given up but must try again. The central values of liberal
arts education as presently conceived — creativity and critical thinking,
originality and individuality — are all sail and no ballast. They might be the
qualities of a good tech-sector job applicant or reality-show contestant, but
we’re in mortal need of good citizens.”
Eric Bennett is an associate professor
of English at Providence College.
For the complete
article from The Chronicle of Higher Education, Dear Humanities Profs: We Are
the Problem by Eric Bennett, click
here.
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